![]() If you’ve done it a lot, you know what to do.’ Every time you learn another little piece, and in the end you have the full picture. ‘Every artist has a different way of looking at things. Most recently, he has worked Dan Colen, Nate Lowman, Julian Schnabel, Max Snow, Ross Bleckner, Damien Hirst, Aaron Young, Donald Baechler and Donald Sultan, among others.Ī master innovator, Heinrici so deeply understands his materials that he is able to think creatively, merging the best of an artist’s vision with fresh, individually-tailored technical approaches. Heinrici’s prints have been featured in numerous gallery and museum shows, with works on display and in the collection of New York’s Museum of Modern Art and the Whitney Museum. But most artists like the flexibility of silkscreen printing because it’s very physical.’ You have to know ‘the pressure to apply, you have to have the right amount of ink - it’s very complicated.’ ‘When electronic printing came along, a lot of artists switched, as it’s much cheaper. ‘Silkscreen is only one of a range of printing methods, but it’s the most immediate, painterly one there is,’ Heinrici explains. In that time, Heinrici’s client list would grow to include Willem de Kooning, Robert Rauschenberg, Roy Lichtenstein and Robert Indiana, among many other luminaries of 20th-century American art. ![]() Heinrici produced the ‘Ladies and Gentlemen’ and ‘Jagger’ series for Warhol, and would go on to create silkscreen portraits for the artist for the next decade. When the two began to work together, Heinrici says, Warhol was stunned by the precision of the prints Heinrici was creating: ‘He said, “Once in a while you have to make mistakes so it looks like a Warhol!”’ Neither was it unanimously understood as an art form: the reliance on a machine made sceptics of many whose views of art required direct contact between artist and medium. It was a lengthy process that required endless patience and a keen eye for detail. In fact, for most of the 20th century, screenprinting techniques had been considered trade secrets, and were kept confidential. The Model F1 may also print cylindrical products (inquire within).When Warhol began to experiment with screenprinting in the 1960s, the practice was not widely used. Click here for a short list of attachments that may be used on your machine. The addition of modular components easily upgrade the F1 to fulfill increased production and customization demands. Engineered and manufactured entirely in the USA, the F1 printers provide the innovation and craftsmanship needed to meet the most exacting production requirements.ĭesigned to grow your business, Systematic Automation offers literally hundreds of attachment combinations to accommodate future applications. You also have the option of changing over from printing flat to cylindrical products in minutes. Extremely simple and reliable, these versatile printers are for a limitless range of screen printable products, regardless of shape or material. ![]() The Systematic Automation Model F1 Semi-Automatic machines are the proven solutions of the industry, combining high quality manufacturing standards & user friendly design for years of dependable, precision performance. The Right Solution For Every IndustryĮnglish Data Sheet | Spanish Data Sheet | Manual When production, precision and quality are paramount, your best choice is the Systematic Automation Model F1 Semi-Automatic Precision Screen Printer. Backed by more four decades of engineering and manufacturing expertise, our time tested and proven systems continue to set the standards for screen printing in every major industry today.
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